![]() ![]() The songs Tegan wrote for The Con were heavily influenced by Against Me!'s album Against Me! as the Eternal Cowboy. She stated that these factors combined to make The Con "very dark and also very much about reflecting on getting older, long-term relationships and the end of things". The twins were also mourning the death of their grandmother who, according to Tegan, had been like a second mother to them. Sara was struggling with Canadian immigration to get her American-born girlfriend a working visa so they could live together, while Tegan was dealing with the breakup of a five-year relationship. The album was written during a period of intense emotional turmoil for both Tegan and Sara. 7 Tegan and Sara Present the Con X: Covers.Swoon at those sideswept bangs those indie mullets! This is the reason we’re here in the first place: a great song. Asian ladies represent!Īnd the last is Tegan & Sara performing “Nineteen,” just for kicks. She trips up a little on the lyrics at 2:12 but manages to keep it classy (and cute). The fourth is by Ko Xinyi - a great acoustic cover with great vocals. What’s great is that Weiss harmonizes with herself in this version and manages to get an urgently sad and angsty element into her voice while she sings. The third is by artist Allison Weiss - it’s an acoustic cover that’s pretty much on par with the original song. An attractive baby who is actually a grown woman wearing a magenta beanie. Bonus points: Zea looks a bit like what would happen if Ellen Page and Tegan Quin had a baby. The second is by musician Emily Zea - it’s a slow-paced, lullaby version with acoustic strumming. #Tegan and sara ninteen license#This version takes a little more creative license than most Nineteen covers it sounds a lot more jangle-pop-y and dreamy, mainly due to the great use of fingerpicking and rhythm guitar. ![]() The first cover is by the Montreal-based band Kimarine. As your tour guide into the very, very emotional world of “Nineteen,” I offer this selection of covers that I thought stood out and were repeat-worthy (and some that feature hot ladies, for your enjoyment). In tribute to this heart-rending song, lots of heart-rending covers have been made, often featuring copious amounts of vocal reverb (singing-in-a-cave echoes), twangy acoustic guitars (that are not always in tune), and hot androgynous ladies (I’ve often found that even the meh covers get good ratings because of hot ladies this usually means they are possessors of pixie cuts and lip rings). It’s a tram tour of Tegan’s romantic history, and the tram has rocket engines. And all of this in the first 24 seconds of the song. ![]() So what makes the song so great? It has a dangerous quad-fecta (like a trifecta but four) of frosty-heart-melting themes and make-a-jaded-woman-cry lines: the We Were Made For Each Other (“I felt you in my legs before I even met you”), the I Love You So Much (“When I laid beside you / For the first time I told you / I feel you In my heart”), the Oh My God We’re Breaking Up (“Now we’re saying bye / Bye / Bye”) and the Why Won’t She Return My Calls (“I was nineteen / Call me”).
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